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Neg Earth Lights has recently partnered with eco-friendly community project Remade in Park Royal with the aim to reduce industrial waste going to landfill. Neg Earth Lights’ Senior Fabricator, Phil Webb, established his relationship with the project’s founders, Tom Fraser-Ivans and Grace Williams, 3 years ago.  

The community project, Remade in Park Royal, is dedicated to creating a circular economy. Their team has established a material exchange hub for the local community, which prevents unwanted industrial items ending up in landfill. Instead, local artists and schools are free to utilise them in their creative endeavours. 

Phil first met Tom 3 years ago in the local community, when Tom was seeking art pieces created from upcycled and recycled materials for an exhibition he was planning. They exchanged contact details and have since fostered a working relationship using unwanted industrial items.  

Phil has since started his own creations, making sculptures out of unwanted metal previously used in the live events industry. He explains, “I like the idea of repurposing scrap items and equipment for an art piece rather than increasing the carbon footprint of the item through the recycling process.” He has been known to create coat racks and large 5ft flowers out of old shackles. But his most renowned creation is his Spannersaurus, which featured in the Work-Leisure art exhibition organised by artist and lecturer Bahbak Hashemi-Nezhad. 

With the realisation that their community of eco-friendly artists was growing, Remade in Park Royal was set up. Phil Webb then donated 500m of 8mm high-quality rigging rope to the project. Forest school, outdoor learning and environmental education provider in West London, Bewilder Education, has since taken the rope to help children learn more about spiders in an interactive and fun way by creating a giant spider web. 

Phil spread the word to Neg Earth Lights owners Pip & Dave Ridgway, who both expressed their passion for eco-friendly projects and subsequently pledged to support Remade in Park Royal with a donation of £3,000 towards the campaign. This crowdfunding campaign has raised over £30,000 so far, allowing founders Tom and Grace to make the project fully operational. 

Neg’s HSE Advisor, Sonia Dhariwal, who is focusing on the company’s environmental efforts explains the positive aspects of this partnership, “It is important to collaborate with the local community to establish partnerships with like-minded individuals and seek bespoke solutions and opportunities to help reduce our environmental impact.”  

We look forward to supporting the cause and sharing images of the artists’ creations.  

 

For an immersive display like no other, Neg Earth are proud to be the providers of the lighting, rigging and control for YUNGBLUD’s 2023 World tour. 

With a sell-out first show on 16 February in Cardiff, Wales, rock sensation YUNGBLUD began his world arena tour 2023 in style, with fans rocking up from all over the UK for an unforgettable pop-punk performance. From Glasgow OVO Hydro to OVO Arena Wembley, headliner YUNGBLUD has spoiled his fans with a 20-song setlist as well as introducing award-winning Neck Deep in the support slot. Being one of the UK’s leading pop-punk bands, Neck Deep are well placed to compliment this truly spectacular world tour. 

 

The powerful and electrifying Chauvet Color Strike M has been interspersed throughout the rig, but it is the Ayrton Magic Panel R that commands centre stage. These high-performance Ayrton fixtures feature a collection of LEDs which enable a striking rotation of visual effects used to great effect by the show’s designers. Dominating the upstage were 3 stacked trusses with a powerful combination of the Chauvet Color Strike M,  Ayrton Domino, and a 20k Tungsten Power Beam perched in between, projecting its immense beam onto the drummer, Michael Rennie, evoking a 70’s rock nostalgia for devoted fans. In addition, the unique Film Gear Tungsten Power Beam 24k 20kW, created a dramatic display with a striking contrast of spot-to-flood lighting, giving a motion-picture effect whilst complementing the industrial atmosphere of the show.  

With the world arena tour underway, YUNGBLUD will be travelling to France, Spain, Italy and more, to perform at his sell-out shows. Neg Earth are joining the tour to help stage designer Sam Tozer’s desired vision come to life. 

 

Photo credits: Tom Pallant / Luke Dyson 

Production Manager: Richard ‘Wez’ Wearing 

Project Manager: Martin Garnish 

Lighting Designer: Sam Tozer 

Lighting Director: Liam Griffiths 

Special Effects: ER Productions 

 

In collaboration with Women in Live Music (WILM), we were thrilled to have held our first beginner’s workshop to educate and offer advice to women who are striving to enter the world of lighting.  

At Neg Earth Lights we are passionate about taking action to make a positive change, and whilst Neg have made a conscious effort over many years to introduce more women into the workplace and bridge the gap of gender inequality, the sad reality remains that far less women are working within the live events industry than men. 

Roles such as Lighting Technicians, Power Technicians and Riggers are held predominantly by men, and with shocking statistics from Zippia showing that only 13.4% of Light Technicians are women. Here at Neg we want to change this.  

Moreover, Neg Earth Lights is a family-run business and was founded by Dave and Pip Ridgway. With an inspiring female figure as one of the Managing Directors, Pip is passionate about the company helping to make a difference and encourage more women into the live events industry. In the panel discussion, Neg Project Manager Lindsey Markham, told the guests, ‘For me, in this industry I’ve always felt that I couldn’t find the routes in. Now, I think we are getting better at finding these routes in for people and I really think this forum is amazing,’ showing how passionate the Neg team are for offering these opportunities, inspired by their own first-hand experiences. 

In honour of International Women’s Day on the 8th of March 2023, Neg Earth Lights collaborated with the incredible team at Women in Live Music, offering exclusive workshops at our in-house studio, LH3. The event was a packed day of learning, networking, and lots of fun! A special mention to the women at WILM, including Olive Olin and Malle Kaas for assisting with the workshop, and Neg’s Marketing Manager, Tanya Kanani, who had carefully planned and hosted the event. 

The response to the event was incredible with tickets selling out within the first hour of release! Additionally, there were over 30 people signed up to the waiting list for the event, showing its popularity amongst women aspiring to enter the live events industry, highlighting the current demand for career guidance and support within this industry.  

The workshops were split into the specialities of lighting, rigging and power, with the guests alternating between sessions. The lighting workshop was led by Neg’s Technical Solutions Manager Joao Magalhaes and Lighting Designer Subul Lodi. The workshop explored the 4 key stages in the live event lighting process; Design, Preparation, Delivery and Practical. The guests not only gained theory-based knowledge in the sessions, but also gained hands-on experience operating the impressive GrandMA console. The rigging workshop was set up by Neg’s in-house Motors and Rigging Manager Rick Williamson, and the workshop was run by WILM member and rigger Ida Maria Borgstrom. This workshop involved teaching the guests to float a pre-built truss grid, showing them how to build and install baskets onto the grid and land the grid. This interactive approach to the workshop was a fantastic way for the guests to learn through practical application. The third was a Power workshop, set up by Carl Garner, Neg’s Electrical Specialist, and Maintenance Technician Bernice Roust and led by Bernice herself. In the workshop, Bernice educated the guests on Power Theory, as well as incorporating a hands-on practical application to her workshop. 

Following these sessions was the panel Q+A, where the all-female panel discussed barriers within the live events industry and how to overcome them. The panel featured the Production Manager Alice James, Neg Project Manager Lindsey Markham, Lighting Designer Subul Lodi, Rigger Ida Maria and Ambersphere Key Account Manager Briony Berning. The audience had a chance to ask questions at the end, which explored how to confidently enter the industry, choose a specific area in the live events sector, and connect with professionals.  

On this amazing day, jointly sponsored by Neg and Ambersphere, to ensure this opportunity was accessible regardless of individual circumstances, the group had networking drinks, where the guests, female panel, and workshop leaders had the chance to socialise and make new connections.  To put an end to the day the guests left armed with swag from both Ayrton and Neg and a sense that with us, everything is possible. 

An inspiring message taken from Lindsey Markham during the panel discussion was; ‘‘If you think you can do it and no one’s giving it to you, go and get it, go and ask for it… go and execute it well. 

Keep an eye out for our future initiatives where you can learn to be a part of the incredible and diverse lighting community! 

 

 

In collaboration with: Women in Live Music 

Networking drinks supplied by: Ambersphere 

Event Planner: Tanya Kanani 

 

 

On the 18th of June 2022, world-renowned rock band Stereophonics took to the stage in the Principality Stadium in Cardiff, Wales, with the iconic Sir Tom Jones and indie-rock sensation Catfish and the Bottlemen performing alongside them, for an unforgettable punk performance. For the show, Stereophonics performed their twelfth studio album ‘Oochya’, featuring the hits ‘Hanging on your hinges’ and ‘When you see it’.  

 Neg Earth Lights are delighted to have provided the lighting and rigging for the concert, supplying the stage with the latest innovations of fixtures to truly wow the audience of dedicated rock-loving fans. Our team worked closely in collaboration with Lighting Designer Brent Clarke to bring his creative vision to life. Brent Clarke spoke with the Neg Earth Lights team and revealed, “I think the Stadium was chosen as a way to go back in time and celebrate the gig the band did at Morfa Stadium in 1999,” he continued, “I also think it was their way of saying that live concerts had returned to Cardiff, as the concert was titled ‘We Will Keep a Welcome.’”  

The show featured four independently moving panoramic screens which were sub-hung from header trusses. These trusses were chosen to carefully hide the rigging for the automation system. Each screen was surrounded by GLP Impression X4 bar 20s, creating the boxed effect for the visual display.  

7 ROBE Robospot were supplied as the follow spot system. This innovative control system helped to synchronise fixtures that followed the band across the entire stage.  

Neg Earth Lights were thrilled to be the supplier of the lighting and rigging for this show. Our talented team and crew helped turn Brent Clark’s vision into a spectacular rock reality. We were honoured to have received a special mention from the Lighting designer, “I really enjoyed working with everyone and the team from Neg were spectacular in every way. I couldn’t have asked for a better team!”  

 

 

Photographer: Hans-Peter van Velthoven 

Lighting Designer: Brent Clarke 

Production Manager: Dave Nelson 

It’s Global Recycling Day and the Neg Team are keen to work towards sustainability and do our bit for the environment wherever possible. After all, where would Neg be without the Earth?! 

With that in mind, our team would like to share some quick and easy tips to encourage us all to reduce, reuse and recycle more at work and at home.  

 

That’s a wrap! We’re all in this togetherhappy reducing, reusing and recycling! 

Neg Earth Lights were delighted to once again supply the lighting and rigging system for Sting’s Autumn tour. 

Utilising our custom-made truss with sliding forks, this enabled us to create the arch shaped lighting trusses, turning Lighting Designer Danny Nolan’s design into reality 

We have worked with Lighting Designer Danny Nolan for many years, producing some great shows together. This tour was no exception, however this design came with a twist. Using precision engineered sliding forks from Tyler truss we created an arch shaped pre-rig truss. 

Ibiza Classics’ Live Show returned once again and we are proud to have supplied the lighting and rigging system for their Winter Tour in 2022. 

We worked alongside the Cassius Creative team to bring their lighting vision to life. The lighting rig featured Aryton Karif , ACME Pixel Line, Ayrton Bora and GLP JDC1 as well as a Robe Robospot system with Robe Forte.

The video wall was supplied by Video Design which complemented the lighting effects.  

Our Neg Project Manager Gavin Maze says, “We have been working with the Ibiza Classics Team for many years now and it was great to work with them again.” 

Credits:

LD- Cassius Creative 

PM- Paddy Hocken 

Photos- Dan Reid, Ash Youd 

Neg Earth Lights supplies lighting, rigging and control systems for Bon Iver’s 2022 European tour.  

American indie folk band Bon Iver toured Europe in Autumn 2022 equipped with lighting, rigging and control from Neg Earth Lights. Described by the industry as transcendent, artful and interesting, their unique use of lighting and stage set up caught the attention of fans across the globe.  

The rig consisted of 5 V-shaped flown truss equipped with (new this year) Ayrton Cobras, alongside Martin MAC Vipers, Martin MAC Aura XBs, Martin VDO Sceptron and more. Mirrors supplied by White Void were hung below the flown truss and were manipulated throughout the show to reflect light from the floor to create unique lighting effects.  

Bon Iver’s 6 band members were raised on platforms lined by LED battens Martin VDO Sceptron, creating the effect of highlighting each of them throughout the show. The floor package boasted 151 lighting fixtures, all of which were involved in reflecting light around arenas across Europe.  

The band played London SSE Wembley on the 25th & 26th of October, just a short distance from Neg Earth Lights, and a few Neg employees went to see and photograph the show. Taylor Swift unexpectedly took to the stage with Bon Iver to perform Exile and Skinny Love which caused further excitement to fans.  

Neg’s Digital Marketing Manager, Tanya Kanani, witnessed the event, saying It was clear that fans had long awaited this moment. The energy in the arena was exhilarating. Each song evoked emotion and energy. The lighting was spectacular. The effect produced by the clever use of mirrors created reflections and an incredible glow as coloured light rays bounced around the room, dancing rhythmically to the beat.”  

Neg’s Project Manager, Damien Jackson, explains how great it was to see the tour happening, “The tour had been delayed twice previously due to COVID so it was great to finally work with Production Manager, James Dean and Lighting Designer, Michael Brown again.”  

Production Design: James Dean 

Lighting Designer: Michael Brown 

Photo Credit: Ruth Medjber 

Neg Earth Lights are thrilled to have been the supplier of the lighting, rigging for Lewis Capaldi’s 2023 European tour, where he performed his latest album ‘Broken by Desire to be Heavenly Sent’ released in May this year. Neg Earth had previously worked alongside the world-famous Scottish singer on his 2022 tour debuting his chart-topping single Forget Me. In this 2022 tour, Neg provided the lighting, rigging and automation. 

Neg Earth’s impressive fixtures joined Lewis Capaldi on stage during both his 2022 and 2023 tours. The performances featured the most innovative of fixtures within their categories, which were ingeniously intertwined with one another for a breathtaking back wall that left fans amazed. One of the features used for the back wall display was the Ayrton Karif LT, a 300W beam-spot luminaire that was alternated with the  JDC1 LED Strobe. This dynamic strobe, doubles as a high-powered blinder, making this fixture the perfect addition to a bold and beaming back wall. Neg Earth Lights also supplied GLP Impression FR10 Bars’ for the stage. This 60W LED bar was placed on trusses, controlled using a Kinesys automation system, and placed behind a digital screen showing ever-changing shapes for the audience to view. This was positioned above the singer, with the beams of light powering over the artist and the band, capturing the emotions of each song.  

Cassius Creative, the design team, developed the style of the back wall, with Dan Hill from the team expressing, “Surrounding the contemporary, solid architecture of the video monolith which housed the array of FR10 battens, we wanted a surrounding environment that could both enhance and reinforce video content on the monolith and action on stage – as well as having the power and scale to silhouette the monolith; and create a void of negative space the column of light from the FR10’s could appear from.” He continued, “The curvature of the back wall allowed us to create a seamless array of fixtures to do this, the JDC-1’s maintaining the contemporary feel and shape of the monolith; with the Karif’s creating textural beams to cut through other stage lighting, and dynamically change the aesthetic of the stage as required.” The team and crew at Neg Earth worked closely in collaboration with Cassius Creative throughout to ensure that their desired vision incorporating a curve angle, fixture spacing, and atmosphere was brought to life.   

 

 

  

Credits:

Lighting Programming: Cassius Creative  

Lighting Director: Franki McDade 

Camera Director: Phil Woodhead 

Video Design: Studio Flint  

Video: 4wall 

Photography: Projoe Photography 

Automation Operator:  The Motion Labs 

Production Manager: Nick Lawrie 

Tour Manager: Scott Smythe 

Staging: All Access Staging 

Set Fabrication: The Next Stage UK 

Scenic LED: LED Creative LTD 

 

Do you need lighting and rigging equipment for an upcoming production? 

Contact our team 

Neg Earth supported Sinclair / Wilkinson with their vision for the lighting design on this tour. One of our favourite looks was the ‘starlight’ design in which the team at Sinclair / Wilkinson used a star cloth as a backdrop and placed Astera AX3s on a black hi-shine floor to create this look. Wirelessly powered and controlled, the AX3s were integral to achieving this effect. 

During conversations in pre-production, the need for an impactful, flexible but simple feature was discussed. Use of our prefabricated pods was quickly suggested to the design team and approved. In total, 4 pods were placed upstage of the band, forming an arc around them. Martin VDO Sceptron were rigged within the pods creating the linear effects we see throughout the show, with GLP FR10 Impression Bars placed at the base to provide additional lighting effects. The lighting pods not only satisfied the design criteria but also provided further opportunities for the design team to integrate them into the pageantry of the show. One example was the addition of a gauze to the front of the pods which was used to great effect to soften the output from the Sceptron at the beginning of the show. Once removed it revealed a more dynamic and defined look.

Working from the drawings from Sinclair Wilkinson, our Fabrication Team designed and built a touring solution that allowed for the lighting elements to be pre-rigged during prep and travel ready built during the tour. This not only allowed us to replicate the look quickly and accurately at each show it also provided opportunities to add lighting in other areas  

“A really exciting part of this job was working with fabrication to find an appropriate rigging solution for the Sceptron on the pods. It allowed for creativity and was a great example of the cohesion between all departments at Neg.  

It was quite challenging to fit these massive pods along with everything else into the designated truck space, but it was a good opportunity to see how a great truck plan is done.  

Goldfrapp was a really good example of the thought that goes into a design to ensure the integrity of the show is maintained in different venues that are vastly different in size, and how that extra thought pays off.” Says our Neg Project Co-Ordinator Jasmine Williams.  

Some of the other fixtures used included 18 Ayrton Diablos and Martin Mac Aura XBs.  

Lighting Operator Neil Holloway says, “Once Again Neg Earth pulled it out of the bag and gave us a great solution to touring this, while the pods were very large, the rest of the system and components were all kept fairly small for scalability as this tour went through many manners of venue.  

This tour I discovered Ayrton Diablo properly, and they’ve absolutely blown me away, such an incredible feature set and Output for such a small unit. 

The AX3 around Alison where a stroke of genius from Sinclair / Wilkinson and gave an immense amount of depth to the show, I worked very closely with SW and mainly Luke Rolls on this project and I think we were all very pleased with where it ended up.  

 Once again, a massive thanks to Neg for being fantastic as usual. 

Another big thanks to hard working techs Tom Bexon and Holly Brightman.”  

 

 

Lighting Design: Sinclair / Wilkinson 

Gauze: Alligator Dynamic Drapes 

Photography: Neil Holloway 

Neg Earth Lights
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